Showing posts with label progressive. Show all posts
Showing posts with label progressive. Show all posts

Sunday, 9 September 2012

New Artist Alert: Observing The Ghost - EP Review


'Ghost rock' is not a sub-genre I am all too familiar with. Apparently, there are two criteria that must be met before you can describe yourself as pioneers of such a style. Thus, progressive, atmospheric, and psychadelic feels must be key features in your sound, and all your members' names must start with the letter B. Or at least these two points are true of 'Observing The Ghost', the ghost-rocking quintet from Portsmouth, UK.

Observing The Ghost have spent the past year or two making a name for themselves across the South-Coast, playing in a whole load of venues I'm all too familiar within in the Southampton/Portsmouth/Winchester areas. The guys are due to release their debut album 'Burn The Tsunami' on Coffee Jingle Records on October 26th, but until then I've had a listen to last year's EP 'We Will Find The Sun'.

With five tracks on offer, the EP kicks off with 'Now We Are Shadows', and sure enough my progressive and atmospheric senses are tingling. With a nod to the former, the vocals don't kick in until over a minute into the track; perhaps the guys are setting out their 'progressive stall' if you will, but I can't help but feel myself yearning for a much quicker introduction. The way the track starts on the EP could be a great feature live, but I'd love for it all to kick in at 25 seconds, there's a great window for a real punchy drop. But that's just me. When it does kick in, the wall of sound is so dense and texturally thick that there's a great platform to experiment with layering and building throughout the song which I, as the listener, look forward to. The vocals are simple but effective and the drums are interesting behind the scene-setting guitar and fort-holding bass. The chorus is a little messy but that's more a nod to the texture and I'm sure works well live, and I love the progression from half-time to double-time and back to a settling half-time in the second verse. There's a slight unsettling nature apparent in the vocals now with a few effects creeping in, showcasing a dip into psychadelic and electronic quarters that works really well. There's no hiding from the fact that it's a bit of a monster in length, with a self-indulgent guitar section which extends into the outro but it's certainly a monster musically as well, a great opener.

'Angles and Opinons' marks the half-way point of the EP, with more unnerving electronica-laced riffs and rhythms before the vocals seek to find some common ground in the verse. Vocally, the chorus sounds a little weak compared with the music on show but melodically it is branching into the stadium-rock-friendly progression that is also cited amongst the band's influences, perhaps a hint of Coldplay somewhere in the mix. Again it makes for a really interesting audio offering though, something a little different from the norm and daring to hold its own. The track is less memorable than our opener but is still in keeping with the theme of the EP and I definitely wouldn't go as far as to describe it as a filler, ending a lot stronger than it began.

'Rebirth in Reflections' is the EP's closing statement, headed with an interesting groove and settling into a nice 6/8 signature. It's a much calmer affair than its predecessors but it feels as if the band have thought long and hard about the tracklisting of the EP which signifies a real journey for the listener. The drums stand out for all the right reasons once more, showcasing yet more creative grooves and fills as the track closes the EP and rounds off our musical outing safely yet comfortably. I'm not sure on the guitar tone for the short solo section that falls off into obscurity towards the end but overall this marks the finale well to a great-sounding, and altogether rather different, EP as the full-band bring around the last chorus one more time with a final goodbye.

Observing The Ghost will be on the road in support of their debut album from 19th October, for full info on locations and to keep up to date with the band, be sure to check them out on Facebook. 

Monday, 18 June 2012

New Artist Alert: Seraphim


Seraphim are a 5-piece rock band from Chichester, UK who formed in 2010. Tags such as alternative pop and progressive guitar rock define the band who have performed at some of my old haunts including The Joiners in Southampton and The Railway Inn, Winchester and the guys have just recently released their 3-track EP entitled 'Awkward Silence' of which I've had a listen to.

The EP kicks off, or rather gently casts from the shore, with opener 'See You Again' with its steadily-embellished piano riff and conscious rhythm section. The vocals are pleasant though I feel rather a long-time coming; having said that they reflect the progressive nature of the track well which builds to its first chorus, driving well, but could maybe do with a little more from the cymbals department to help push the accents home on the kit. The guitar really opens up in the middle 8 section, muddying the waters and throwing down the gauntlet for the sloshy hi-hats and confident backing-vocals of the final chorus.

'Can't and Won't' is a nice, radio-friendly pop-rock song which features some lovely dual-lead vocals. The guitar sounds a little uncertain in the intro and could maybe benefit from borrowing some lead-lines from the keys or at least harmonising with them just to offer another layer and a little more texture but this is purely a personal opinion. The chorus is steady and, though doesn't pack too much of a punch, is nonetheless effective and the middle 8 is once again where the track really opens up nicely and it's great to hear a guitar solo featured as the song fades to the EP's final track...

...'Losing Run' is like the naughty, rebellious younger brother that the family are keen to hide from friends at gatherings with it's tainted, rockier edge and crunchy guitars. The female vocals take the lead for this one and sound great and, as an arrangement, the track really stands out. There's a lovely cymbal-wash fading into the second chorus to maximise the impact following the brief pause and a pulsing breakdown as the piano takes centre stage before the rest of the band rock a little harder to bring us home. The double-time is a nice touch in the last of the double-choruses as something was definitely needed for differentiation and the outro confidently caps off a great-sounding EP.

I really like Seraphim and what they're doing, and it's certainly refreshing to hear an unsigned band not be drawn into the pop-punk abyss, though I feel there is even more scope for an even stronger EP. The talent and song-writing ability is clearly evident, but with perhaps a little more post-production work on the recordings and some real work on the vocals the band could sound better still. Don't get me wrong, both the male and female vocals are great in their own rights but there was only a hint of them sharing the mic in Can't and Won't and I'd love to hear the guys really make a feature of the dual-lead vocals (I know it's cheesy, but think Alphabeat!).

Seraphim are ready and waiting for you to check them out on Facebook, and I urge you to try and catch them live soon.